In Music We Trust >> Frontpage
October 23, 2017


Search In Music We Trust
Sign up for mailing list
Article Archives
>> Article ArchivesFeatured ArticlesInterviews & Show Reviews#ABCDEFGHIJKL MNOPQRSTUVWXYZVarious ArtistsDVD Reviews
INTERVIEW: Jyri Glynn
Violinist for The Sins and Genowen

By: Sonya Brown

Some readers will, no doubt, remember Jyri Glynn as the dynamic electric violinist behind Seattle's Tri State Killing Spree (3SKS). Jyri's violin performances are nothing short of amazing to witness live; and I am fortunate to have seen several 3SKS performances.

Jyri is now an integral part of two projects: teaming up with former band-mate, Sean Sonnet, to form "Genowen"; and as the violinist behind the ensemble of talented darkwave musicians known as "The Sins".

Jyri's electric violin is an extension of his energetic personality, reaching out to listeners and pulling them into the music he creates. I first became aware of Jyri through his violin work; it was not much later that I learned of his infectious smile and gracious charisma. A complex individual of bountiful character, as I soon learned by witnessing his actions as a friend, a musician, and a member of the gothic community. Shortly after the Columbine shootings, I interviewed Jyri for a "gothic" perspective of the Columbine tragedy. I was a fan of his violin work prior to the interview; and I have been a fan of his persona every since.

With a new full length CD on the horizon from The Sins, I would like to take the opportunity to, once again, introduce readers to Jyri Glynn.

Sonya: Jyri: First of all, please tell us. How did you become involved in music? Has music always been an integral part of your personality?

Jyri: Yes, It's true music has always been a love of mine. I first started playing violin in grade school and took classical lessons for ten years. Because of my strict religious up bringing I was not allowed to listen to the radio, watch television, or read books that did not come out of the church library. I think most kids that are placed into these situations either conform or rebel. I chose the latter. My parents and teachers found my stashes of cassette tapes and books (which they labeled as "secular" media) on numerous occasions, and each time this material was burned and destroyed. I came to think of the whole thing as a big game always trying to outsmart the "authority" in my life by finding better hiding places so that I could continue listening to the music I loved.

Sonya: I would like to know a little bit about the tools of your trade. Can you give our readers any insight into the technical aspects of your violin work? How do you get those fantastic sounds? What sort of formal training have you had?

Jyri: Experimentation has been the main key to my playing. As I mentioned prior, I was classically trained but frankly got bored playing other people's music. I first bought an electric pickup for one of my violins because I wanted to sound different. Unfortunately, there isn't much guidance out there for those who decide they are going to plug their violins into an amp. It's been all trial and error. I am constantly experimenting and trying out new equipment on the market to better my sound. One of the most informational sites on the net about electric violins is: http://www.lightbubble.com/bowed/

Sonya: Do you use different violins for different sounds? Is there one particular violin that you prefer?

Jyri: My primary violin is a Zeta Jazz Fusion. The unique thing about this particular violin is that in addition to having remarkable sound and a built-in pre-amp, it also has a digital MIDI pickup. This means that the violin has the option to be used as a MIDI controller to play a sound modular and/or keyboard synth. My other main violin is a five string Barrett electric. With the additional low "C" string, this instrument has the range of both a violin and a viola. I also occasionally use a baritone five string violin, which has a low "F" string on it. This enables me to play viola and cello parts.

Sonya: What is it that compels you to be a performing musician (as opposed to a studio musician)?

Jyri: Studio work is fun for about a day or two. Then I tend to get restless. I suppose that it is simply because I have a short attention span. Playing live, on the other hand, is a different challenge every time you take the stage! I guess that I am addicted to the "rush" as I suppose most musicians are. There's nothing like it!

Sonya: From a listener's stand-point, the music that you create spawns feelings of darkness and energy, a sense of "spirituality". What mood does your music create for you as the performer?

Jyri: As a violinist in a rock band, I tend to listen for the textural parts within the music itself that the guitars, bass and other instruments don't fill. My style of playing often has a sorrowful sound to it and when mixed with dark music, it works quite well. Playing music is therapy for me. It's simply something I have to do, and yes, I do get caught up in the moods of the music, not unlike the person listening to it.

Sonya: It has now been 3 years since I interviewed you regarding the negative media portrayal of Goths in the shadow of the Columbine shooting tragedy. Have your viewpoints remained the same regarding censorship being far more dangerous than banning guns?

Jyri: Absolutely! Censorship serves no other purpose than to restrict and eliminate the rights of the people. I personally would rather see some redneck lose the right to be able to shoot at me than for me to lose the right to be able to tell him to "fuck off"! This country was built on uninhibited information and the freedom to express one's opinion! I see so many of our rights being violated today. Especially since Sept. 11. The government is using a horrible situation to scare people into giving up their privacy. It is very sad to watch people give away their rights based solely on their fear.

Sonya: Is "gothic"still a "beautiful thing" in your life?

Jyri: As for the Gothic scene, I certainly don't mean to come across as a negative person, but I've watched the local scene change alot in the past few years here in Seattle; and unfortunately it hasn't been for the better. It has become way too much of a "social club" for my liking. I remember ten years ago when the Gothic community would accept the "outsider" because THEY were the outsiders. It's just not that way any more, at least here in Seattle. The music, art, and style will always be dear to me though.

Sonya: From the perspective of a performing musician and artist, what are your viewpoints on parenthood? What is parenthood like for a working musician?

Jyri: Perspectives... hmmm? Well being the father of two kids, I think that my parenting skills resemble that of Ozzy on MTV's sitcom, The Osbourns! I am blunt and honest with my children and don't hide much of anything (other than prescription drugs or my porn collection)! I was raised the complete opposite from this and ended up really disliking my parents (things have since changed now that I'm older). I got into all kinds of shit because I lived such a sheltered life, and the real world hit me like a ton of bricks once I got out on my own. I would rather my kids be open and have an honest relationship with me. I would like to be their friend, as well as their parent. I don't suppose I am in any position to write the next Spock book on child raising, but maintaining a good relationship with my kids is what is important to me, and I know my wife feels the same. The fact that I am a musician doesn't have all that much to do with me being a dad. Well, not too much!

Sonya: Let's discuss your work with Genowen. Who are the members of Genowen, and what are their contributions to the band?

Jyri: Genowen consists of Sean Sonnet (most known for being the singer of 3sks), and myself. With a whole slough of guest musicians. Sean is really the "brains" behind the project, being the singer and lyricist, as well as writing the bulk of the music itself. My contribution is violin and keyboard parts mostly. We are both very excited about the array of guest musicians that are going to be contributing to this album as well. We are planning on having at least one guest on each track of the album, which I believe will add greatly to the diversity of the sound.

Sonya: Please give us some insight into the music of Genowen. How would you describe the music that Genowen unleashes?

Jyri: The idea behind Genowen is to create a timeless, soundscape of music that is appreciated by all. Much in the same way that bands (such as Dead Can Dance) have managed to do. This is a very mature and refined project. The lyrics consist of honest, controversial truths, while the music is very orchestrated, spiritual, and beautiful.

Sonya: Given the projects with which you have been involved, what is the concept that binding you to the music and musicians of Genowen?

Jyri: Sean and I have worked together for years, and though we both have had our share of disagreements, we both hold very similar beliefs when it comes to myths, art, and spirituality. We both share the same vision when it comes to producing the finished creation of our music. One of the great things about this project is that neither of us are bound by the restraints of being in a band. We can write and create at our own pace and actually do most of the writing and recording away from each other.

Sonya: What do wish to express through Genowen?

Jyri: I believe the main things that Sean and myself are trying to express within this piece of work are sincerity and truth. I suppose this may come as somewhat of a strange concept for an album, but it's the bottom line theme throughout the music and lyrics.

Sonya: What is it about the sound of Genowen that most liberates you as a violinist?

Jyri: Well, as I mentioned, I do most all the recording and composing of my parts away from Sean. This permits me to get "lost in the moment", so to speak. I find that I am more spontaneous and creative in my writings when I work alone. Often, when playing in a rock band, my parts are compromised due to the sheer volume and mass of guitars, drums and bass. Because this project is based largely on orchestration, I find that I am able to draw from a much larger array of ideas. Many of these ideas originate from my classical background, and I have been able to really let the instrument excel within this environment.

Sonya: I have always enjoyed the poetry of Sean Sonnet. What lyrical and musical magic do you and Sean now weave together through Genowen?

Jyri: The music is very surreal and dream-like. It takes you on a journey illuminating stories of myths and truths. The lyrics contain much imagery. Here is a lyrical example from our debut single, "Afraid of gods":

Well I'd like to tell the story of a god
Who thinks he's holier than thou
Amidst the tricks of shame
Fear and fate makes it easier
I see them falling down

I stain my heart with color
I claim my soul, and make it my own
I climb your highest mountain
To see your world
And watch it burn down

Sonya: Where might listeners be able to obtain the music of Genowen?

Jyri: Sean and I are working towards a fall release with this album; however, in the meantime we do have a new single called "Afraid of gods". This will be featured on a gothic compilation album called "Trinity". This is due out sometime in July or August, I believe.

You can find more information about it at: http://www.starvox.net/news/news.htm

The website for Genowen will be http://www.genowen.com and we are currently working on this. We will certainly post any news of single releases and mp3 links from the site; so if it's down (due to construction), please do visit it again.

Sonya: What can we expect from Genowen in the near future - what are your recording and touring plans?

Jyri: Currently we are so focused on the writings of the project that we haven't honestly looked much further than this. I know both of us love to tour, so I would imagine that this would certainly be a possibility in the future.

Sonya: Now, I would like to discuss The Sins. Please tell our readers a bit about the members of The Sins.

Jyri: The Sins consists of Nightmare Boy, our fearless front man on vocals and guitar; Dexter Fauxe on bass; Kris Killian on drums; Lee Tillman on guitars; and myself. All of us have different musical backgrounds and have all played in numerous projects which really seems to add to the overall essence of the band.

Sonya: The Sins sound is often described as "darkwave" - please elaborate a bit on your personal definition of the sound of The Sins.

Jyri: Well, I guess first off, I really don't think of the bulk of The Sins' music as Darkwave, but it is certainly Dark Rock with a flare of post-punk, Death Rock sound mixed into it. The Sins are very much a high-energy band and we love to play live shows. We play out about every other weekend, and the great thing about this band is its diversity. We have played Cowboy bars, Goth Clubs and crack bars out in the middle of ten buck two. Somehow, we always walk away with people enjoying our performance.

Sonya: The Sins seem to take on a very personal approach to the music - with each artist focused on their area of expertise. The sound that comes through is intense and aggressive, yet beautiful. What is it like performing live with this talented group of musicians?

Jyri: It's a fucking blast! There simply is never a dull moment with this group! We put on one hell of show and love doing it! I suppose we could be called a "party band", but what the hell, we love doing it!

While we were working on the album, we actually had to slow down a little and think about what we were doing (which, I think, was a challenge for some of us) but we still managed to drink six cases of beer in two days and walked away with seven finished songs. Each member is talented enough that generally, in the studio, it's one take, and we're done. Things move very fast with this band, whether we are playing out or recording.

Sonya: When will a full length CD be available from The Sins, and where might listeners obtain a copy?

Jyri: Our full-length album, "The Beginning", is completely recorded. We are currently working on the mix-down and mastering, and we should have the album out sometime in July. Fans can always obtain the latest news of our happenings on our website.

Sonya: Tell us a bit more about "The Beginning" - which of the tracks from your EP (if any) will be on this full length; and will they be in their original form?

Jyri: As it currently stands, the album will have eleven or twelve songs on it, including all of our latest material. I believe that all the songs that were on our demo EP (which was never really released to the public) will be featured on the album; however, we did re-record many of them. Dexter and I also added some keyboard work on a few of the songs, which really enhanced the overall sound of the album.

Sonya: Can you give us any hints as to what else is in the works for The Sins?

Jyri: Gawd, there are many things coming up in the near future for the Sins. In addition to releasing our debut album this year, we are playing several large festivals throughout the Northwest, and we have plans to film a music video. Nightmare Boy will also be featured in a short film about one of his multiple personalities, "Mr. Thicket". We have also discussed several short tours later this year as well. There is always something going on with this band! We don't like to sit still!

Sonya: Where is the music leading you, Jyri? What would you like to accomplish as a violinist? As a musician?

Jyri: Raw Emotion is what I aim for as a musician! Obviously, the music changes depending on what type of emotion I am trying to convey. I am not trying to save the world with some revolutionary bullshit message. I just want people to experience "feeling"! So much of today's music scene is numb and void. It simply lacks any emotional impression whatsoever. I personally have always utilized music as my medium to channel my feelings, so that is all I desire to continue doing in the future. Where this path will lead, I do not know.

Copyright © 1997-2017, In Music We Trust, Inc. All Rights Reserved.